About my Holograms
About my Holograms
About my Holograms
About my Holograms
About my Holograms
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M. Melissa Crenshaw
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1986 Healing for Broken Hearts, Z-Axis series,
plinth mounted, ~ 12x16x18"
1986 Safe Place to Dream, Z-Axis series,
plinth mounted,~ 12x16x18" Red view 1 on plinth, Green view 2
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1986 Healing for Broken Hearts, Z-Axis series, white plinth mounted ~12x16x18"
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Viewing Abstract holograms: The following 3 views show how this hologram, Triangular Planes changes as you move through the viewing zone from left to right.
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1983 Triangular study, ~8x8x6"
1983 Color Study with Light Blocks, ~ 9x7x6"
1984 Untitled, small texture screen experiment ~ 5x4x4"
1984 Threes, this is a detail from a triptych that is ~14x36x8"
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1983 Levels with Light Blocks
~ 10x9x6"
1986 Spatial Domain 2, Z-Axis series, plinth mounted, ~ 12x16x18"
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1986 Falling, Z-Axis series, plinth mounted, ~ 12x16x18"
2019 Ribbon
(for Vanity box) ~ 4x 6x6"
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1986 Spatial Domain 1, Z-Axis series
plinth mounted, ~ 12x16x18"
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2019 Lens Play on Polymer (for Vanity box) ~ 4x 5x6"
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Holography changes as technologies improve and we adapt. In the past few years the recording material Photo polymer has been readily available to holographers. This material requires no darkroom chemical processing, and it is panchromatic, recording red, green and blue wavelengths. I have been experimenting with Photopolymer and inexpensive diode lasers for a few years to explore the creative options available with the combination of the polymer and the diode lasers. Polymer offers possibilities of spectral effects not possible with Silver Halide recordings. Here is a sampling of some of my recent (2022 2023) 4 x 5" images, recorded with a one wavelength diode laser, either a red or green laser.
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